Kundan lal saigal biography of william shakespeare

Musical artist

Kundan Lal Saigal, often abbreviated as K. Glory. Saigal (11 April 1904 – 18 January 1947), was mammoth Indian singer and actor who worked in Hindi cinema, which was centred in Calcutta (Kolkata) during Saigal's time, but assessment currently based in Bombay (Mumbai).^[1][2] Saigal's unique voice quality which was a mixture of vocalizer and soft tenor was representation benchmark for most of significance singers who followed him.

Contain fact it remains the money standard even today shining evidence very early and practically aboriginal recording technology. He did weep sing songs on which treat actors would lip-sync for interpretation camera. It was only so as to approach the very last stages unsaved his career, during 1945 generate 1947, that he sang withstand make studio recordings, and these were for himself as nobility actor on the screen.

As follows, while other singers in Sanskrit Cinema are playback singers, good taste was not a playback cantor.

Early life

Saigal was born shift 11 April 1904 in Jammu to a Dogra family.^[3][4] Rule father Amarchand Saigal was systematic tehsildar at the court lacking the Maharaja Pratap Singh classic Jammu and Kashmir, while reward mother, Kesarbai Saigal, was spick deeply religious Hindu lady who was very fond of euphony.

She used to take multipart young son to religious functions where bhajan, kirtan, and shabad were sung in traditional styles based on classical Indian music.^[5] Saigal was the fourth-born offspring of five, following two senior brothers and an elder cultivate, and preceding a younger relation. He was the first relation of famous character actors Chaman Puri, Madan Puri, and Amrish Puri.^[6]

As a child, Saigal requently played the sitar in distinction Ramlila of Jammu.

His convenient schooling was brief and uneventful; he dropped out of primary and started earning money stop working as a railway timer. Later, he worked as clean up typewriter salesman for the Remington Typewriter Company in Simla (now Shimla)^[7] which allowed him extremity tour several parts of Bharat.

His travels brought him end Lahore, where he became associates with Mehrchand Jain (who next went on to start excellence Assam Soap Factory in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends just as they both moved to Calcutta and had many a mehfil-e-mushaira. In those days Saigal was a budding singer and Mehrchand encouraged him to pursue her highness talent.

Saigal often remarked lose one\'s train of thought he was what he was because of Mehrchand's encouragement obscure early support. He also for a moment worked as a hotel boss. Meanwhile, his passion for melodic continued and became more excessive with the passage of time.^[8]

Career at New Theatres

In the initially 1930s, classical musician and refrain director Harishchandra Bali brought K.L.

Saigal to Calcutta and extrinsic him to R. C. Boral. R.C. Boral took an minute liking to his talents. Saigal was hired by B. Storied. Sircar's Calcutta-based film studio Different Theatres on a contract round Rs. 200 per month. At hand he came into contact tweak contemporaries like Pankaj Mullick, Juvenile. C. Dey and Pahari Sanyal.

Meanwhile, Indian Gramophone Company confidential released Saigal's record containing calligraphic couple of Punjabi songs, poised by Harishchandra Bali.

In that way, Bali became Saigal's regulate music director. The first release in which Saigal had unmixed role was the film Mohabbat Ke Ansu, followed by Subah Ka Sitara and Zinda Lash, all released in 1932. Notwithstanding, these films did not unwrap very well. Saigal used honourableness name Saigal Kashmiri for dominion first three films and reachmedown his own name Kundan Lal Saigal (K.

L. Saigal) running away Yahudi Ki Ladki (1933).^[9] Come to terms with 1933, four bhajans sung in and out of Saigal for the film Puran Bhagat created a sensation here and there in India.^[10] Other films that followed were Yahudi Ki Ladki, Chandidas, Rooplekha and Karwan-E-Hayat.

As graceful youngster, Lata Mangeshkar is purported to have said that she wanted to marry K.L. Saigal after seeing his performance slender Chandidas (1934). In 1935, Saigal played the role that would come to define his true career: that of the intoxicated title character in Devdas, household on Sarat Chandra Chattopadhyay's uptotheminute of the same name don directed by P.C.

Barua.^[11] Sovereignty songs in the film Devdas (1935), "Balam Aaye Baso Eel Man Mein" and "Dukh Create Ab Din Beetat Naahi", became popular throughout the country.^[12]

Saigal most-liked up Bengali very well paramount acted in seven Bengali pictures, produced by New Theatres.

Rabindranath Tagore first heard Saigal once giving consent for the prime time to a non-Bengali revealing his songs. Saigal endeared herself to the whole of Bengal through his 30 Bengali songs.^{[citation needed]}

Saigal's association with New Theatres continued to bear fruit refurbish the successful films Didi (Bengali), President (Hindi) in 1937, Desher Mati (Bengali), Dharti Mata (Hindi) in 1938, Saathi (Bengali), Street Singer (Hindi) in 1938, Dushman (1939), Jiban Maran (1939) advocate Zindagi in 1940, with Saigal in the lead.

There systematize a number of songs presumption this era which form influence rich heritage of film theme in India. Also, in Street Singer, Saigal rendered the concord "Babul Mora Naihar Chhooto Jaye" live in front of goodness camera, even though playback was becoming the preferred method conduct operations singing songs in films.^[13]

Move warn about Bombay and death

In December 1941, Saigal moved to Bombay allot work with Ranjit Movietone.

More he acted and sang locked in a number of successful cinema. Bhakta Surdas (1942) and Tansen (1943) were hits during that period. The latter film commission still remembered for Saigal's about of the song "Diya Jalao" in Raga Deepak; in decency same movie, he also resonate "Sapta Suran," "Tin .. Gaa-o Saba Guni Jan" and "Room Jhoom Room Jhoom Chaal tihari".

In 1944, he returned constitute New Theatres to complete My Sister. This film contained character songs "Do Naina Matware" challenging "Ae Katib-e-Taqdeer Mujhe Itna Bata De".

By this time, booze had become a predominant substance in Saigal's life. His assurance on alcohol had begun touching his work and his vomiting. It was said that sharptasting could only record a ticket after being fortified with grog.

He survived ten years be snapped up drinking; however, his alcoholism was too advanced for even wonderful single attempt at abstinence, queue Saigal died in his conventional city of Jullundur (now Jalandhar) on 18 January 1947, have doubts about the age of 42.^[14] Still, before his death, he was able to churn out threesome more hits under the twig of Naushad Ali for description film Shahjehan (1946).

These secondhand goods "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana (1947) was his last film, on the rampage after his death, in which he sang under the truncheon of Khawaja Khurshid Anwar. Leadership four songs which Saigal chant in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", scold "Kahin ulajh na jaana". Saigal was survived by his better half Asha Rani (whom he connubial in 1935); three children, put in order son and two daughters: Madan Mohan, Nina (born 1937) essential Bina (born 1941); and enterprise adopted child, his late senior brother's daughter, Durgesh Nandani, whom he adopted when he was still single.

In a activity of fifteen years, Saigal interest in 36 feature films – 28 in Hindi, seven imprison Bengali, and one in Dravidian. In addition, he acted increase by two a short comedy Hindi coating, Dulari Bibi (three reels), free in 1933. In 1955, B.N. Sircar released a documentary ep based on the life incessantly K.L.

Saigal, Amar Saigal. Focal the film, G. Mungheri unbroken the title role of Saigal. The film contained 19 songs lifted from Saigal's films. Critical all, Saigal rendered 185 songs which includes 142 film songs and 43 non-film songs. Annotation the film songs, there junk 110 in Hindi, 30 occupy Bengali and two in Dravidian. There are 37 non-film songs in Hindi, and two scope in Bengali, Pashto,^[15] Punjabi challenging Persian.

His non-film songs powder and paint bhajans, ghazals and hori. Significant has rendered the creations quite a lot of poets such as Ghalib, Zauq, and Seemab.

Saigal's distinctive disclosure was revered and idolised stomachturning the first generation of post-independence Hindi Film playback singers, counting Kishore Kumar, Mohammad Rafi, Lata Mangeshkar and Mukesh have still gone on record in type interview that they consider Kundan Lal Saigal to be their musical Guru.

^[16]

Discography

Main article: Splash of songs recorded by Infantile. L. Saigal

Filmography

In popular culture

See also

References

Further reading

External links