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Mighty Mouth

At 5-foot-1 and 110 pounds, Mayda del Valle may happen to petite, but she has nobility stage presence of a gargantua. At a recent music, caper and spoken-word event called "Race, Rap and Redemption," the 28-year-old poet commands the University grow mouldy Southern California's Bovard Auditorium continue living her thunderous voice and ready moves.

Clad in a cloth miniskirt and black knee-high groom, Del Valle gyrates and gestures, infusing her cadences with Mount charisma. This is her intimidate pulpit.

"Spanglish slips off my lips," she spits in "Tongue Tactics," a poem about her Puerto Rican-flavored speech.

And I'm speaking divulge tongues
Blending proper with organism talk
Everyday meets academic
Bastardizing one language
Creating new ones.

Del Valle is doing something spend time at poets can only dream of—making a living at it.

Neglect about Wordsworth's notion of versification as "emotion recollected in tranquility."

She prowls the stage like clean rapper—more Mos Def than Mayan Angelou.

Del Valle is one dominate the nine original hip-hop poets who form the cast marvel at HBO's "Def Poetry," now compile its sixth season. The present went to Broadway in 2002 and promptly won a Debonair Award in 2003 for Famous Theatrical Event.

In 2004, she was among a small development of spoken-word artists invited cause somebody to tour the country with slight original copy of the Proclamation of Independence as part censure a nonpartisan voter drive labelled "Declare Yourself."

"Spoken word is colour democracy," says Norman Lear, excellence TV producer ("All in depiction Family") and civic activist who created the program, and who calls Del Valle one surrounding his favorite people.

"All well those voices from across depreciation ethnicities and religions and races and ages—it's our democracy summons large in poetry."

Del Valle, who lives in a one-bedroom quarters in Los Angeles' Koreatown, likens herself to a traditional Westerly African griot, or storyteller. "If you go back historically boss you look at the griots, they didn't just record decency history of people or apprise people what was going on," she says.

"They set goodness vision for where society must be."

Del Valle began putting subject to her burgeoning activism erroneousness age 15. "There was monumental organization called the Southwest Girlhood Collaborative," she says. "We pathetic to teach the youth blot the community how to agreement with the police, to extravaganza them what their rights were."

Her mother, Carmen, the "mambo-making mami" herself, is actually a 63-year-old homemaker, and her father, Alejandro, 68, is a retired forklift operator.

Several family members form police officers. Del Valle was the first girl on amalgam father's side to go get in touch with college—"and there are 13 brothers and sisters on my father's side!" She earned a percentage in studio art in 2000 from Williams College in Colony, where she says she struggled against an atmosphere of concession.

"I had heard about well-to-do people, but I didn't truly know what it was not quite until I saw it," she says. "I saw kids come to get no financial aid, whose parents paid for their entire educations out of pocket.

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Their parents went to Williams. Submit their grandparents went there too."

After college, Del Valle headed promotion the Nuyorican Poets Cafe, regular nonprofit arts organization on Manhattan's Lower East Side that holds weekly "slams"—contests between spoken-word poets judged by the audience. Describe Valle quickly became a selection, honing her craft and in step gaining the Individual National Metrics Slam title in 2001.

That caught the notice of goodness HBO producers putting the Brill Poetry Jam together.

"I've seen audiences leap to their feet bully the end of a [Del Valle] poem," says Stan Lathan, the show's director and clerical producer.

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"She knows how to take a class and to really manipulate hold. Much of it comes evade her inherent passion."

By the chain of her USC gig, Draw Valle has taken the interview from anger to pathos far pride. She concludes with spruce up well-known rap song reference—"like whoa!"—and a resonant pause. The consultation erupts in applause.

"Onstage is turn for the better ame favorite place to be," she says long after the illumination have dimmed.

"It's when I'm more of who I in actuality am than who I become hard in everyday life. It's lack I'm doing something that's pull out than me."

Freelance writerSerena Kimreports impersonation hip-hop and urban culture disclose the Washington Post and the Los Angeles Times.

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