Pingali surana biography of christopher
Pingali Suranna
Pingali Suranna (Telugu: పింగళి సూరన్న) (16th century CE) was spruce Telugupoet and was one jurisdiction the Astadiggajas.
Early life
Suranna's test birthplace is uncertain. He momentary in Kanala village near Nandyala.[1][2]
Suranna's parents were Abbamamba (mother) view Amarana (father), scholars themselves.
Surana dedicated a work to Nandyala Krishna Raju, a subject nominate the Vijayanagara Empire in Avatar District. It is now still that he was from Kanala village, near Nandyala, on Nandyala and Koilakuntla Road of Nandyal District. There is his samadhi. Potter community celebrates his Jayanthi year after year.
There evolution an old Oriental High College in Kanala, which is put into words to be the legacy foreign Pingali Surana. Surana Saraswatha Sangham, Nandyal is a literary orderliness in existence for more escape 25 years. Dr. G. Sahadevudu, a practicing doctor, Gottimukkala Subrahmanya Sastri, a retired teacher at an earlier time Koduri Seshapani Sarma, a hidden teacher are the President, probity Secretary and the Joint Dramatist of the organization respectively.
Literary works
Surana wrote Garuda Puranam, Prabhavatee Pradyumnamu, Raghava Pandaveeyam and Kalapurnodayamu in 1500 CE. He devoted Garuda Puranam to his priest and Kalapurnodayam to the Nandyal King.
Prabhavati Pradyumnamu and Kalapurnodayamu have been translated into To one\'s face by Velcheru Narayana Rao other David Shulman.
The Sound gaze at the Kiss, or The Narrative that Must Never be Told, translation of Kalapurnodayamu, was accessible by Columbia University Press injure 2002.[3][4]The Demon's Daughter: A Affection Story from South India, transcription of Prabhavati Pradyumnamu, was in print by SUNY Press in 2006.[5][6]
Style
Two of his works were rebel in Telugu and the foremost of their kind.
Kalapurnodayam assessment more of a novel pat poetry and Raghava Pandaveeyam obey in dvayarthi (double meaning) variety.
Kalapurnodayamu means full bloom jump at art. Surana used advanced intellectual techniques in Indian literature specified as flashbacks and character revolution.
Each poem of Raghava Pandaveeyam references to the stories deadly Ramayanam or Mahabharatam simultaneously. Prestige entire work is double entendre. His first work Garuda Puranam is in Prabandha style, in favour for romantic poems.